Originally published on Poul Anderson Appreciation, Oct 2013.
This
occasional sf idea has a modicum of plausibility: FTL will move human
activity out of the Solar System so Earth will become a quiet place.
Obviously, an entire planetary population would not emigrate
immediately, even if given unlimited living space to colonize, contra
Bob Shaw in Orbitsville. However, the home population might indeed decline over time.
In James Blish's Cities In Flight future history, antigravity-powered cities leave Earth for economic reasons:
"Earth
itself became a garden planet, bearing only one city worth noticing,
the sleepy capitol of a galaxy. Pittsburgh valley bloomed, and rich
honeymooners went there to frolic.
"Old bureaucrats went to Earth die.
"Nobody else went there at all."
- James Blish, Earthman, Come Home (London, 1963), p. 13.
These
reflections are occasioned by the fact that essentially the same future
Earth exists both in Poul Anderson's Psychotechnic future history and
in his stand alone novel, World Without Stars.
"Earth is a quiet world." - World Without Stars (New York, 1966), p. 120.
The following passage describes:
great forests;
low population;
starport towns;
educational centers for galactic youth;
flourishing art;
living science and scholarship;
but no new buildings;
preservation of the old;
immortal space travelers' property unchanged after centuries of robotic supervision.
In "The Pirate," a Psychotechnic History story, Earth is commended for "...its quiet, its intellectuality..."
- Starship (New York, 1982), p. 212.
In The Peregrine,
a Psychotechnic History novel, Earth is green with forests through
which "...isolated houses and small village groupings..." are scattered.
- The Peregrine (New York, 1978), p. 24.
The following passage describes a planet with:
a small, mostly creative, population;
scientific research;
education;
arts -
- so it definitely reads like World Without Stars revisited.
Showing posts with label James Blish. Show all posts
Showing posts with label James Blish. Show all posts
Friday, 22 August 2014
Sunday, 11 May 2014
"A Wilderness Of Stars"
Originally published on Poul Anderson Appreciation, 21 April 2012.
Even with faster than light spacecraft, science fiction (sf) characters rarely venture outside their home galaxy. While traveling within the galaxy, Poul Anderson's David Falkayn sees "...a wilderness of stars...", including the Milky Way, its satellite galaxies, the Magellanic Clouds, and its sister galaxy in Andromeda. (1) These names evoke a few other sf works. Both Isaac Asimov and Larry Niven present an entire species fleeing from the Milky Way to a Magellanic Cloud. Asimov's non-human beings, few in number, need only a hyperspace ship or two whereas Niven's beings, an entire population, travel at sub-light speeds in a Fleet of Worlds.
Even with faster than light spacecraft, science fiction (sf) characters rarely venture outside their home galaxy. While traveling within the galaxy, Poul Anderson's David Falkayn sees "...a wilderness of stars...", including the Milky Way, its satellite galaxies, the Magellanic Clouds, and its sister galaxy in Andromeda. (1) These names evoke a few other sf works. Both Isaac Asimov and Larry Niven present an entire species fleeing from the Milky Way to a Magellanic Cloud. Asimov's non-human beings, few in number, need only a hyperspace ship or two whereas Niven's beings, an entire population, travel at sub-light speeds in a Fleet of Worlds.
In James Blish's Okies tetralogy:
New York flies to the Greater Magellanic Cloud;
Mayor Amalfi of New York becomes Mayor of the Cloud;
the dirigible planet He flies from the Milky Way to and through the Andromeda galaxy, then to the Greater Magellanic;
Hevians, accompanied by Amalfi and other New Earthmen, fly He to the Metagalactic Centre where they briefly survive a cosmic collision;
the concluding one and a quarter volumes are, unusually, set entirely outside this galaxy.
Mayor Amalfi of New York becomes Mayor of the Cloud;
the dirigible planet He flies from the Milky Way to and through the Andromeda galaxy, then to the Greater Magellanic;
Hevians, accompanied by Amalfi and other New Earthmen, fly He to the Metagalactic Centre where they briefly survive a cosmic collision;
the concluding one and a quarter volumes are, unusually, set entirely outside this galaxy.
Although
Falkayn, while viewing the Magellanic and Andromeda galaxies, makes
only a comparatively short interstellar journey, he addresses cosmic
issues, like the aftermath of a supernova, that match those presented
by Blish. Falkayn does not expect to travel much further:
"...the Magellanic Cloud and the Andromeda galaxy made small and strange by distances he would never see overleaped." (1)
Centuries after Falkayn, human beings have travelled around two or three spiral arms but remain within the galaxy.
Elsewhere, Anderson does present:
faster than light intergalactic travel by human beings in The Avatar;
an intergalactic civilization in World Without Stars;
slower than light (STL) travel as far as the Magellanics and the Andromeda by self-programming artificial intelligences in Genesis;
relativistically accelerating STL flight between clusters of clusters of galaxies and into the next universe in Tau Zero.
an intergalactic civilization in World Without Stars;
slower than light (STL) travel as far as the Magellanics and the Andromeda by self-programming artificial intelligences in Genesis;
relativistically accelerating STL flight between clusters of clusters of galaxies and into the next universe in Tau Zero.
In World Without Stars,
human beings no longer die of old age or disease and spaceships can
make instantaneous jumps across intergalactic distances albeit with
time-consuming spatial journeys between jumps. There is therefore both
time and capacity for intergalactic exploration and for trade with the
"Yonderfolk" of other galaxies although most of the action of the novel
occurs on a planet orbiting a lone star located between galaxies.
Anderson's attention to details and to scientific precision ensure that
his works match the sometimes more spectacular-sounding events of
Niven's Known Space or Blish's Okies.
(1) Poul Anderson, Mirkheim, London, 1978, p. 59.
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